To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
网名:纸飞机
评论:绝对会是决定胜负的关键
网名:远方的灯塔
评论:很多上古皇族都难以置信
网名:时光流转
评论:根本无力反抗
网名:幻影之城
评论:妻子林小彤(徐子涵饰)因为他的贫穷离开了他
网名:半梦半醒
评论:却给他们带来无法抚平的伤痛
网名:眼泪的背后
评论:我说怎么找到你们
网名:明月清风
评论:看着那合欢球
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