A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.
网名:笑看风云
评论:直接扎穿了血魔饕餮的脖子
网名:彼岸花开
评论:数十年的磨练和沉淀
网名:一纸倾城
评论:永远属于皇族
网名:狭路相逢
评论:撕裂、震荡
网名:温暖如初
评论:林霄说今天晚上去一趟林乐乐的那个夜总会
网名:画中仙
评论:但到时候形式变化
网名:似水流年
评论:那就不对他下狠手了
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